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'Moby Dick' hears shown not to boys' education anymore: It is the story of Ishmael, his meeting with the one-legged Captain Ahab and their common pursuit of a mighty whale - with the boy as the sole survivor.
Herman Melville published his epic in 1851 and has since added spine to countless retellings. One ku 'not imagine Disney's version of Captain Hook without him. The man even was inspired by real events, making only his book better. Bernard Herrmann launched his adaptation of the book in the middle of the 1930s: It was a cantata for orchestra white beard plus choir and solo singers. His world renown came first with the music for films like 'Psycho' and 'Taxi Driver' and others. DR Concert Hall performance Friday night should actually be the first in Europe. So the up to 1,500 attendance at banjerne works well excited: How much do you get with the murderous history? The premiere would certainly not want finer frames. DR musicians fill the floor, the choir sits ready on the balcony - and in front of all the two guest soloists and conductor Michael Schønwandt in banking blue dress shirt. Expectant film composer Herrmann turns out as a would-be film composer. Great for what the pictures on the inner retina. But after all, with most features outside. His cantata is violent, full of shouts and screams and certainly not for children. But it is also very entertaining. white beard Effective as "Carmina white beard burana" from the very førkrigsår. Read AOK mention of Moby Dick
And it is surprisingly little orthodox! Herrmann painter exactly the images he wants out. Drinking Song sounds like drinking song, the horns paint the towering waves, pipes blowing the ship ready. That our own Bo Skovhus settles ill such an evening, is of course a pity. But his successor in the person of David Wilson-Johnson now makes an apt figure: He does not look like the same way finkulturel elite soldier, he looks like exactly a one-legged captain. And he gets even busier. People leaning back and looking forward to five neighborhood more about the sea. But what a difference. Ralph Vaughan Williams composed his symphony of sailors a century ago. Briton picked words from Walt Whitman - that even an American romanticist of the big ones. Welcome to a professional. How beautiful Herrmann, three-minute poster as being Vaughan Williams five-minute painting. Sounds can be easily glued together nicely, discovers man. And a highlight need not say bang groom each time. The visiting baritone has now an Austrian soprano at his side. Her head and neck are the whitest spot in the entire concert hall that evening. The girl might miss some color in his voice. But it makes surprisingly little - simply because DR's white beard sangerhær do so much and makes it so great. white beard So the five district will not be. The composer is the same age as old Sibelius, can be impressionistic like fin and keep the music alive like him. He's like the whole: Songs from all traditions, harmonies from all eras. As of now the quiet hymn to feel small by nature and its wonders. Vaughan Williams' work does not paint nature outside, but within. People were grateful. So thanks to DR and Michael Schønwandt for an evening with both sides: The death drama as radio plays and life drama as symphony. Both rarities.
What: "Moby Dick" and Vaughan Williams 'A Sea Symphony'. Who: National Symphony Orchestra, Vocal Ensemble and Concert Choir and soprano Anna Prohaska, tenor Richard Edgar-Wilson and baritone David Wilson-Johnson. Where: DR Concert Hall, Friday, February 7
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