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In Thursday, 06.12 Should the people of Prague for the second time within a relatively short time, the opportunity to experience stellar performances Peruvian tenor Juan Diego Flórez. edible schoolyard Unlike the first concert in 2009, when it was mainly a selection of popular arias belcantových, this year's concert program was much more varied. edible schoolyard Florez, this time performed with piano accompaniment and prepared extremely interesting program. In the first part of the concert sounded first aria from a relatively unknown operas by Italian composers of the 18th century, as well as three songs by Gioacchino Rossini, and at the end of the splendid aria from Giacomo Meyerbeer's opera Il crociato in Egitto. The second part showed again another edible schoolyard page Peruvian singer - sounded arias from operas by French composers of the 19th century, as well as three zarzuela aria from Offenbach's operetta The beautiful Helena. The audience from the first aria themselves dragged to a thundering applause, which gradually changed in the evening enthusiastic ovation at times reminiscent of pop music concert stars. Juan Diego Florez was obviously very pleased with the reaction of the audience and rewarded him with a total of five additions, in which the audience is getting into more and more ecstasy. It is, in fact Florezovy great aria from The Barber of Seville "Cess di piu resister" (this aria for his difficulty in the last 100 years, mostly skipped because no singer was not able to be alive, edible schoolyard and to Juan Diego again pushed her introduction) and the famous edible schoolyard aria Daughter of the Regiment's opera "A mes amis" with nine high C. In addition, in increments Florez sang two arias from Rigoletto and the song Be my love. And all this with ease and grace, as if already previously did not show 90 minutes of peak power.
Juan Diego Florez is (I think not) from my perspective the sheer wonder of nature. His voice ranges with incredible ease, coloratura reminiscent of gurgling brook and high tones Florez deployed with unerring precision and perfection. And yet his speech lacks the rich dynamic screening. One has just feel like he was in some sort of otherworldly realm and listened to the angelic song, otherwise it simply can not be called. His voice through the years somewhat darkened, but in any case, has lost none of its flexibility. I remember that before about 10 years ago, Juan Diego claimed that in 40 years, retires and will pay only the cultivation of wine and family. It held that at that age has its voice to be sufficiently flexible edible schoolyard to sing belcantový repertoire, and on the other repertoire not strong enough. Fortieth birthday celebration next year in January, but the end of his career so far, thank God, in the sight.
- Tirana alla Spagnola
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The Wagner Journal, July 2014 issue is out - The Wagner Journal: July 2014 issue The July 2014 issue (vol.8, no.2), now available, contains the Following feature articles: 'Spinning the Yarn Inter ...
Thomas Hall John Treleaven Nathan Gunn Peter Wedd Jana Šrejma Kačírková Gustavo Porta Camilla Nylund Robert Jindra Nadine Secunda Ferruccio Furlanetto Thomas Hampson Ulf Michael Paulsen Kapustová Elizabeth Watts Christopher Ventris Charles Castronovo Bledar interests Sir Willard White Amber Wagner Elizabeth Poláčková Gianluca Zampieri Michal Křístek Yvon Škvárová edible schoolyard Steven Harrison Wioletta Chodowicz Michael Cabbage Robert Jindra John Fiore Juan Diego Florez
New on DVD and CD!
Ailyn Pérez and Stephen Costello: Love Duets Juan Diego Florez - L'Amour Krassimira Stoyanova - Verdi: Arias Placido Domingo at the Met Puccini: La Fanciulla