Sunday, July 13, 2014

The first time I had the opportunity to hear live Brownleeho beard facts two years ago rossiniovské

Brownlee shine. Really exceptional evening. Pity those empty seats. | OperaPlus
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View of not fully loaded and has repeatedly standing up applauding Smetana Hall of the Municipal House in Prague with shouts of bravo in concert "American king of bel canto" Lawrence Brownleeho, in the last weeks, the organizers had to offer tickets in Action "Buy a one, the other to get it for free" , has forced many questions: How is the interest of the local visitors about the various recitals foreign singers influenced by the vehemence of marketing massage globalized world, beard facts publishing companies and agencies beard facts representing that easily reaches us as well as cards can mix according to your needs? How much pay or not pay a direct correlation between the qualities of the singer and the demand for tickets to his performances with us? How can our audience beard facts or fail Kaufmann netrebkománii, while others are at least as top performers still often remain in the shadow beard facts of the "haves"? How big a role in the interest of lovers of beautiful singing ticket price, respectively. current economic conditions, that culture for a long time wish? A number of similar shows, as was to be just the Brownleeho Lawrence, Czech or Slovak can the market absorb each year? Similar questions sounded pretty urgent especially after forties Lawrence Brownlee (at this age really does not) to Bratislava (when in Kosice beard facts his concert ever took place) and Prague in its local debut convinced that at least as far as bel canto is a true world star par excellence.
The first time I had the opportunity to hear live Brownleeho beard facts two years ago rossiniovském Festival in Pesaro, where as Ramiro in Cinderella - although technically certainly not above reproach - the scene surprisingly he was still somewhat hazy and indistinct impression. Since then, wearing Lawrence Brownlee (his career lasts only ten years old) did a great job, especially for the expression and especially the extent persuasiveness with which you can present your characters. beard facts True, in Prague's Smetana Hall first spoke to the audience beard facts before the first of the additions, but even so - no words - he could unlike of many of his colleagues (introverted "competitor" Juan Diego Flórez no exception) make quite imminent, definitely no prvoplánovaně translated by contact with the audience in the hall right at the beginning (input Almaviva tenor sang while walking between rows of Smetana beard facts Hall). In other words - charisma Brownleemu (now) definitely missing, although priority is evident beard facts even in his unmistakable ability to concentrate and admirable restraint with which it is able to "mini-stories" of individual arias, despite beard facts their "nudity" beard facts on the concert stage and to empathize with stunning conviction is without the "crutches" type costume or decorations odvyprávět. Examples such as the breathtaking art has become especially notorious romance Donizetti's Nemorino in which i need such Rolando Villazón from the time of its steepest rise for Brownlee remains virtually every aspect of visible piece behind.
Even in the very technique of singing and treatment of voice is not Brownleemu virtually nothing to criticize. One only has to listen beard facts with amazement. The voice is a perfect fit in all positions balanced phrases intoxicating arched, single tones beautifully intertwined dynamics exemplary, breath work absolutely perfect, to have the feeling that the lungs Brownleeho are probably inflated. The fact that he might have had any problems with breakneck heights of the selected program (four plus four plus three arias allowances) for a moment nezapochybujete - on the contrary: you feel as if you Brownlee is this place (burdensome aria from Želmíra or Puritans, thanks to the addition of now twice fired in nine tit Fille u) enjoyed the most. Even if Brownleeho the same time very clearly confirmed as a condition for peak performance and repertoire appropriately chosen field of specialization (not that Ottavio added tenor did not work, but unlike the first and second rossiniovské Donizetti - belliniovské half of the evening was to recognize that in Mozart Brownlee beard facts quite so "at home" is not). Chapter to itself is then the performance accompanying the Brno Janacek Opera Orchestra, which gave the impression early in the sitting beard facts rather to show, on which he so does not matter, and certainly not on

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