Flórez private chef fascinated Prague, five had added | OperaPlus
Topic Opera Dance Music Various private chef Tips Your rating opera company opera company files Dance - Dance Archive Files - Archive Addresses People - People singers - opera music and other people - ballet theaters, orchestras, festivals etc - Czech theaters, orchestras, festivals etc - Foreign Institutions and schools - opera and music institutions and schools - ballet foundations, associations, fan clubs History Debate forums, blogs Other Archive private chef Feature Articles - Date / Topic Articles Theatres - files - Orchestra - Name index festivals Serials + interviews Works intrigued us You asked Reviews from elsewhere in the corridors of Blog Readers News E-shop
Two and a half hours of perfection, virtuosity, absolute experience of art - that could be described magnificent recital by tenor Juan Diego Flórez Dec. 6 at the Rudolfinum. This excellent singer originally from Peru confirms the recent trend that great tenors today are born in Latin America rather than on the Continent. Flórezova career began sixteen years ago and has since held without interruption in the limelight, private chef singing in the best opera houses and orchestras of the world, and yet keeps the audience private chef with their performances still amaze and fascinate. His voice in thirty-nine years sounds very young, fresh and unworn. private chef The program was twelve demanding arias and songs with piano accompaniment, which would themselves have issued at least two operas, what is the onslaught of the soloist's power is concerned. private chef Flórez started flowery ornate baroque arias from Ernest Bononciniho Griselda (Per la gloria d'adorarvi) and continued aria Tre giorni che Nina son of opera Gli tre cicisbei ridicoli Vincenza Campiho. Here pursued his light, Italian tenor tinged with urgency and great emotional charge - a nice arc to the heights at the end. In a similar romantic style as Caruso, who likes this aria sung. From the third aria, already sufficiently all-singing, put even heavier caliber - Medora from Picciniho Opera Roland. In love aria, which, however, carries up in a bold combative tone (En butte aux fureurs de l'orage) Flórez sang masterfully prepared coloratura, often in incredibly long phrases in one breath. A voice at full strength. His technical capabilities are completely different level than what we have in concert halls or theaters used to. For the audience it was a revelation - after this aria included small tenor on stage with thunderous applause. A surprise continued with every other portion of the evening. Rossini songs brought patriotic charge (L'esula), a heroic pathos and dizzying height (La Promessa a dramatic Tirana alla Spagnola), which are obviously Flóresovým hobby - not for nothing is he called the king of high marking. Flórez has the toughest high notes always clean, perfectly voiced private chef and masterfully deployed - hesitation or failure of voice in him was not an option. He showed even in a long scene of a kavatině Adriana Meyerbeerovy opera Il crociato in Egitto: height private chef is still repeated, still without a blemish. After the break, continued in French private chef tone: kavatinou Romeo from Gounod's opera Romeo and Juliet (L'amour ... Ah! Leve-toi, soleil!) And then sweetly melodious, gently flowing melodies recitative and aria from'm wrong Lal opera Le Roi d ' Ys. By the tenor skillfully created an easier transition to the genre - the Jacques Offenbach operetta Beautiful Helena, specifically the Paridovu court, who sang a brilliantly fun, of course. This was followed by the song of the Spanish zarzuelas - Princesita by José Padilla, Joseph Lacalle Amapola, Bella Enamorada private chef from Reveriana Soutullo and Juana Verta. You could tell that these are songs Florez very close to his "blood group". Lovesick melody private chef delivered with passion and at the same time seriously and solemnly, that would grace any large gala evening. The pianist Vincenzo Scalera accompanied him throughout fairly and decently, without ambition somehow draw attention to your performance. It was nice, though inconspicuous partnership. In conclusion, Flórez returned to winning heights in Peppe sprightly aria Allegro io son of Donizetti's Rita. As it turned out quite the end of the concert postponed because of the Prague audience famous tenor was not going to let go just like that. Five times he had to return with the pianist on stage, and it seemed private chef that he was carried away with extraordinary humor and appreciation of the Prague audience. I allowances were worth it - Rigoletto, The Barber of Seville (trilled relentlessly as Nightingale), daughter of the regiment - more planted height without hesitation private chef and without a trace of fatigue - Ah, mes amis), then romantic piece Be My Love, and eventually starred La Dona e mobile from Rigoletto. This magnificent music of gifts that we were given to Nicholas, already by the end of the year, nobody netrumfne. Guest author reviews 100%
VN: F [1.9.11_1134]
"I allowances were worth it - Rigoletto, private chef The Barber private chef of Seville (trilled relentlessly as Nightingale), daughter of the regiment - more planted height without hesitation and without a trace of fatigue), then bit romantic Ah, mes amis, and
Topic Opera Dance Music Various private chef Tips Your rating opera company opera company files Dance - Dance Archive Files - Archive Addresses People - People singers - opera music and other people - ballet theaters, orchestras, festivals etc - Czech theaters, orchestras, festivals etc - Foreign Institutions and schools - opera and music institutions and schools - ballet foundations, associations, fan clubs History Debate forums, blogs Other Archive private chef Feature Articles - Date / Topic Articles Theatres - files - Orchestra - Name index festivals Serials + interviews Works intrigued us You asked Reviews from elsewhere in the corridors of Blog Readers News E-shop
Two and a half hours of perfection, virtuosity, absolute experience of art - that could be described magnificent recital by tenor Juan Diego Flórez Dec. 6 at the Rudolfinum. This excellent singer originally from Peru confirms the recent trend that great tenors today are born in Latin America rather than on the Continent. Flórezova career began sixteen years ago and has since held without interruption in the limelight, private chef singing in the best opera houses and orchestras of the world, and yet keeps the audience private chef with their performances still amaze and fascinate. His voice in thirty-nine years sounds very young, fresh and unworn. private chef The program was twelve demanding arias and songs with piano accompaniment, which would themselves have issued at least two operas, what is the onslaught of the soloist's power is concerned. private chef Flórez started flowery ornate baroque arias from Ernest Bononciniho Griselda (Per la gloria d'adorarvi) and continued aria Tre giorni che Nina son of opera Gli tre cicisbei ridicoli Vincenza Campiho. Here pursued his light, Italian tenor tinged with urgency and great emotional charge - a nice arc to the heights at the end. In a similar romantic style as Caruso, who likes this aria sung. From the third aria, already sufficiently all-singing, put even heavier caliber - Medora from Picciniho Opera Roland. In love aria, which, however, carries up in a bold combative tone (En butte aux fureurs de l'orage) Flórez sang masterfully prepared coloratura, often in incredibly long phrases in one breath. A voice at full strength. His technical capabilities are completely different level than what we have in concert halls or theaters used to. For the audience it was a revelation - after this aria included small tenor on stage with thunderous applause. A surprise continued with every other portion of the evening. Rossini songs brought patriotic charge (L'esula), a heroic pathos and dizzying height (La Promessa a dramatic Tirana alla Spagnola), which are obviously Flóresovým hobby - not for nothing is he called the king of high marking. Flórez has the toughest high notes always clean, perfectly voiced private chef and masterfully deployed - hesitation or failure of voice in him was not an option. He showed even in a long scene of a kavatině Adriana Meyerbeerovy opera Il crociato in Egitto: height private chef is still repeated, still without a blemish. After the break, continued in French private chef tone: kavatinou Romeo from Gounod's opera Romeo and Juliet (L'amour ... Ah! Leve-toi, soleil!) And then sweetly melodious, gently flowing melodies recitative and aria from'm wrong Lal opera Le Roi d ' Ys. By the tenor skillfully created an easier transition to the genre - the Jacques Offenbach operetta Beautiful Helena, specifically the Paridovu court, who sang a brilliantly fun, of course. This was followed by the song of the Spanish zarzuelas - Princesita by José Padilla, Joseph Lacalle Amapola, Bella Enamorada private chef from Reveriana Soutullo and Juana Verta. You could tell that these are songs Florez very close to his "blood group". Lovesick melody private chef delivered with passion and at the same time seriously and solemnly, that would grace any large gala evening. The pianist Vincenzo Scalera accompanied him throughout fairly and decently, without ambition somehow draw attention to your performance. It was nice, though inconspicuous partnership. In conclusion, Flórez returned to winning heights in Peppe sprightly aria Allegro io son of Donizetti's Rita. As it turned out quite the end of the concert postponed because of the Prague audience famous tenor was not going to let go just like that. Five times he had to return with the pianist on stage, and it seemed private chef that he was carried away with extraordinary humor and appreciation of the Prague audience. I allowances were worth it - Rigoletto, The Barber of Seville (trilled relentlessly as Nightingale), daughter of the regiment - more planted height without hesitation private chef and without a trace of fatigue - Ah, mes amis), then romantic piece Be My Love, and eventually starred La Dona e mobile from Rigoletto. This magnificent music of gifts that we were given to Nicholas, already by the end of the year, nobody netrumfne. Guest author reviews 100%
VN: F [1.9.11_1134]
"I allowances were worth it - Rigoletto, private chef The Barber private chef of Seville (trilled relentlessly as Nightingale), daughter of the regiment - more planted height without hesitation and without a trace of fatigue), then bit romantic Ah, mes amis, and
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