In this combined vegetable mecca and design workshop working Selma Lamai with its projects. She pre

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Her eyes drift through colonial garden landscape on Amager, which acts as her workshop. It is as if she were looking for something in the treetops kyou to get her answer to the question she has just been made. "Are you not unusually long by a design student to be?"
Selma Lamai is not yet graduated from the Danish Design School line of visual communication, kyou but has an impressive catalog of work on his website. She designed clothes and bags, which she has just been in China for trying to get into production through his own company, she has made films for Tal R, transformed his father's photographs of clothing, made illustrations to include Holly Golightly kyou and made graphic design of the mother Hanne Holm's last two cookbooks 'curry' and 'Middle kyou Eastern cuisines in Nørrebro'. kyou
Are you ever afraid to come to embrace the broad professionally? "In general I can say that interdisciplinarity is important to me because it affects how far my concept may buckle. I've been wanting to acquire me properties in different disciplines, because it allows me to create many-faceted visual universer.Jeg can see what you mean that it can be dangerous to the width, kyou but I think that if you are early in a project is defined a direction, and the idea is strong and simple, so I think it is very obvious to spread it out to different techniques and different media. One idea might be too broad in itself, I think, so it is very early in a project, kyou it is important to keep a thread. Then you can later benefit from broad it out. "
Selma Lamai mother is cookbook author and her father kyou is a photographer. kyou Both have obviously influenced her, and because she loves to cook, she also cook a half years in counterpoint. She combines indirect passion for cooking with life as a design student by working from a small green paradise on the island of Amager. Kolonihaven houses both artichoke, potatoes, corn, peas, herbs, radishes, carrots, parsnips and even a greenhouse with squash, two kinds of tomatoes and four kinds of chili. "I think yes, it's really cool to be out here instead of sitting in some office. Being able to go out in the garden, if you just need a break, "says Selma Lamai while she moves around in the garden. Shortly before she told us that she loves to hatch.
In this combined vegetable mecca and design workshop working Selma Lamai with its projects. She prefers to work experimenting and analogy. Therefore, she has her own bogpresse as she dragged home from Vienna, and a button machine that can hold the keys to Selma Lamai collections with her own substance. So they fit perfectly.
What brings degree of consistency a design project? "So my desire is indeed to create a whole, so you will not be using his own imagination too much when you consider what I've done. I try to uncover so many angles and so many approaches to a set problem area as possible, so I do not leave too much to chance. It is also in one way or another, a desire to control how people experience what I do. It is almost a kind of scenography, creating around his idea. It is staging it the way you want it to be experienced. "
But the love of the executed and analog means that Selma Lamai often have to do everything themselves. She tends to fall in love with old processes, it is not feasible to get done at home. Many of the specialty stores, she needs simply do not exist in Denmark, so it was a bit like going to heaven when she was on exchange in Vienna. "It was great to live and work in Vienna, because the city is so well equipped with specialty stores for the purchase kyou of materials, such as leather, bogbinderudstyr, stationery, buttons, textiles etc.." Says Selma Lamai, adding that the city has a more well-preserved tradition for tactile design and crafts.
And although it can be cumbersome to make things themselves, it also gives freedom, kyou independence and inspiration. It is often the work of the tactile that inspires kyou Selma Lamai. "It is in the process and the various experiments, the emergence of new ideas in my head. I never get an idea when I'm sitting with a blank Illustrator kyou document. That's when I mix colors or doing experiments, the emergence of something new. My garden here is also wildly inspiring. kyou Seeing things grow! "
And it makes indeed sense that the young design sprout kyou holder of an allotment. Here her ideas grow in competition with plants outside, and one f