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Read more FOCUS Roskilde Festival 2013 The art will challenge us at the festival. KUNSTEN.NU cover this year's art program at the Roskilde Festival, featuring everything from luminous installations to performance art and political action.
Read more More focus series [AWA] Art Weekend Aarhus NY legacy of Fluxus Copenhagen Art Festival 2012 Roskilde Festival 2012 Weekly columnist Art, collectivity and network VISION Wide Weekly Artist Art Copenhagen 2011 Roskilde Festival 2011 Behind the lines of art and public space A new Nordic position ? ART Herning 2011 Between Art and Design Performative arts PORT 2010 Art Fair Special 2010 Roskilde Festival 2010 art value? Art Herning Can art communicate? Climate in art RATE Art Fair Special Roskilde Festival 09 KUNSTEN.NU. Packages for summer art experiences Artist in fact in the workshop Danish Arts Foundation U-TURN Alt_Cph 2008 Exhibition galleries for experiments Political Art Eastern Art Machine-RAUM Street Art / Graffiti
8 February 2012 [Interview] With his exhibition EVOLUTION the LARGE (ICH-TEA-OHHH-SAURYS) at Gammel Strand trying Jonathan Meese to show how the game is the only thing that can save mankind from its destructive relation to ideology and ego.
"Aaarrrrrgh! It is carnivorous Andrea, who spiiiiser you! "Triumphs a lively father yes chef in the small shopping area in Strand Art Society before he leads the colorful tøjpapegøjes beak down to the little girl who plays dead on the wooden floor in front of him. The girl is bomstillle, but she can not help but laugh when Andreas plysnæb in fast motion 'tearing back up at her.'
The exhibition at Gammel Strand contains a large number of brand new paintings and sculptures from Meese's hand, and as is usually the case they are filled with both slogans yes chef and powerful symbols.
"You may well play in the street, but to play does not mean that you express 'yourself'. You should just play like children when playing in the street. Children yes chef play not for people to see them. They are playing just for themselves. People nowadays, they go to the streets to demonstrate, but it is not playing. The street yes chef is a very dangerous place, which should not be disturbed. "
"I hate these ideological eccentrics yes chef that disrupts the street. They have to be invited and then they say what is necessary. I hate people who express 'themselves.' I do not express 'myself' here. Not 'I' but the art speaks and makes the rules. "
"They're yes chef just examples. What you see here does not mean that you have to play with what is here. It's just an example that tells you that you ought to go home and play, play with your friends; with your stuff. This is not an invitation to play anywhere. I just shows that it is possible to play. And the exhibition space is just a way to keep on. It may well be that it is a bit sterile, but it does not matter. providing just a suggestion, saying, 'You should play', 'you ought to go out and not to be ideological.' "
"Exactly, it's a very important point. I do not want to offend people. They must want to come and see the beauty in the works and then take the consequences. It is not my task to wade through the streets as a religious pastor. Or show my religious ideology. I have no religious ideology, I'm not a guru. My studio expands my playground, and one day the whole world is a playground where people can play ideological games. "
"Of course you can! You see it when a child instance. Builds a house out of wood, it is a genuine result that comes from play. One can play architect yes chef and tree house will exist, it will enter the reality. When it is strong enough. "
"Play will no doubt bring the best results," he continues, "but we have lost the ability to play because we are ideological., We are politicians, we are kings, we are religious people - that we should stop! You can play it instead, you can play Catholic, you can play Protestant, you can play Hindu. But one should never really be the
Read more FOCUS Roskilde Festival 2013 The art will challenge us at the festival. KUNSTEN.NU cover this year's art program at the Roskilde Festival, featuring everything from luminous installations to performance art and political action.
Read more More focus series [AWA] Art Weekend Aarhus NY legacy of Fluxus Copenhagen Art Festival 2012 Roskilde Festival 2012 Weekly columnist Art, collectivity and network VISION Wide Weekly Artist Art Copenhagen 2011 Roskilde Festival 2011 Behind the lines of art and public space A new Nordic position ? ART Herning 2011 Between Art and Design Performative arts PORT 2010 Art Fair Special 2010 Roskilde Festival 2010 art value? Art Herning Can art communicate? Climate in art RATE Art Fair Special Roskilde Festival 09 KUNSTEN.NU. Packages for summer art experiences Artist in fact in the workshop Danish Arts Foundation U-TURN Alt_Cph 2008 Exhibition galleries for experiments Political Art Eastern Art Machine-RAUM Street Art / Graffiti
8 February 2012 [Interview] With his exhibition EVOLUTION the LARGE (ICH-TEA-OHHH-SAURYS) at Gammel Strand trying Jonathan Meese to show how the game is the only thing that can save mankind from its destructive relation to ideology and ego.
"Aaarrrrrgh! It is carnivorous Andrea, who spiiiiser you! "Triumphs a lively father yes chef in the small shopping area in Strand Art Society before he leads the colorful tøjpapegøjes beak down to the little girl who plays dead on the wooden floor in front of him. The girl is bomstillle, but she can not help but laugh when Andreas plysnæb in fast motion 'tearing back up at her.'
The exhibition at Gammel Strand contains a large number of brand new paintings and sculptures from Meese's hand, and as is usually the case they are filled with both slogans yes chef and powerful symbols.
"You may well play in the street, but to play does not mean that you express 'yourself'. You should just play like children when playing in the street. Children yes chef play not for people to see them. They are playing just for themselves. People nowadays, they go to the streets to demonstrate, but it is not playing. The street yes chef is a very dangerous place, which should not be disturbed. "
"I hate these ideological eccentrics yes chef that disrupts the street. They have to be invited and then they say what is necessary. I hate people who express 'themselves.' I do not express 'myself' here. Not 'I' but the art speaks and makes the rules. "
"They're yes chef just examples. What you see here does not mean that you have to play with what is here. It's just an example that tells you that you ought to go home and play, play with your friends; with your stuff. This is not an invitation to play anywhere. I just shows that it is possible to play. And the exhibition space is just a way to keep on. It may well be that it is a bit sterile, but it does not matter. providing just a suggestion, saying, 'You should play', 'you ought to go out and not to be ideological.' "
"Exactly, it's a very important point. I do not want to offend people. They must want to come and see the beauty in the works and then take the consequences. It is not my task to wade through the streets as a religious pastor. Or show my religious ideology. I have no religious ideology, I'm not a guru. My studio expands my playground, and one day the whole world is a playground where people can play ideological games. "
"Of course you can! You see it when a child instance. Builds a house out of wood, it is a genuine result that comes from play. One can play architect yes chef and tree house will exist, it will enter the reality. When it is strong enough. "
"Play will no doubt bring the best results," he continues, "but we have lost the ability to play because we are ideological., We are politicians, we are kings, we are religious people - that we should stop! You can play it instead, you can play Catholic, you can play Protestant, you can play Hindu. But one should never really be the
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